I created Marons from the initial sketch to the digital process and until it was released it took less than 2 months after I launched Black Quality. Rasonic by Arendxstudio Rasonic is a type of Vintage Font that is very different in character and very suitable for the display needs of each of your designs, has two variations, namely regular and outline.
I'm sure you will like it. Marones by Arterfak Project Complete your vintage style with Marones font! Marones is a serif font with inky effect and spurs on the letterforms. Inspired by old school garage and vintage logo, Marones visualize a quite strong look so that's perfect for any display such as packaging, bottle, headline, logo, apparel, posters, stickers, craft projects and more!
Marones is an all-caps font equipped with a Stylistic set and multilingual support that you can mix and match the letters to ease your design project. Masonic Writing by Deniart Systems Based on an ancient secret writing system. Masonic Lodge by Eclectotype As part of the day job I had to trace an old hand drawn logo of a Masonic Lodge from a very poor scan.
When I finally got to the end of it I had almost a whole alphabet and I really liked the hand drawn uneven quality, so I made up the rest of the letters and set about making it into a font.
I roughened up all the edges for an even older look, added a host of OpenType features and hey presto, Masonic Lodge was born. Masonic Code contains 1 style. David A. Jason Ramirez. HT Maison by Dharma Type HT Mason is bold and hand painting font. This font is retrospective and decent, but it is also funny and cute. Jason Uncial, a unicase font, was created by Dutch designer Coen Hofmann.
Uncial hand writing began to spread in Europe at the time of the late Roman Empire A. The right placing of words and lines is as important as the creation of significant and effective contrasts, and is an integral part of it. As type today stands by itself, without the addition of ornament, we have become more sensitive to it not only as words and lines, but as part of the design of a page.
The sizes and weights of type used depend first and foremost on the contents, but almost always we have scope to choose a larger or smaller size or to alter the graphic appearance of some of the lines. A line need not be full out to the left but may be moved a little or a lot to the right.
Here begins true design, the shaping of the graphic form. Every shape exists only in relation to the space around it. The same line has a totally different effect in a large or small area of white space. In either case the line can be so placed to achieve the best effect; but the placing and its overall effect will probably be quite different in each case.
If we succeed in finding that position we have done our job. Jan Tschichold, Basle Apps News. My Account Recommend Blog Help. Fontstand 6. Privacy Policy Press Contact. Share on Facebook Share on Twitter.
Mason Sans 2 styles Emigre. Participating Type Foundries. Typejockeys 13 families fonts. Tlab font 23 families 50 fonts. Storm Type Foundry 97 families fonts. Blackletra 20 families fonts. Alias 32 families fonts. Typofonderie 33 families fonts. DJR 39 families fonts. Type Supply 7 families 77 fonts.
Arphic Types families fonts. Indian Type Foundry families fonts. TypeMates 46 families fonts. Contrast Foundry 5 families 34 fonts. CSTM Fonts 18 families fonts.
Setup Type 12 families 94 fonts. Just Another Foundry 11 families fonts.
0コメント